The Pre-Raphaelite fantasies of John William Waterhouse
The Pre-Raphaelite movement is a gold mine for amazing fantasy artwork. Among the best was English painter John William Waterhouse. I use his work extensively in the Adventure Guide’s Handbook, and while I didn’t use the actual painting (yet), his The Lady of Shalott was the reason I used that poem in The House of Lisport. It’s just such an amazing piece of fantasy, the magical or fairy lady with knight-encrusted blankets and three candles lighting her waybill a prone crucifix… in fact it’s so amazing I just took out Waterhouse’s also-amazing Circe Invidiosa and replaced it with the Lady.
He created great paintings of rituals, from Circe Invidiosa with her preparing to turn Scylla into a hideous monster, to his Danaides pouring from three vases into a water-bearded cauldron, to, the most amazing in my view, his Magic Circle which is, precisely, a fantasy ritual, with burning incense, a magic staff, a magic circle, and a moon-shaped sickle. The sorceress has even attracted some ravens or crows to assist her!
Another favorite of mine is The Tempest, with the daughter of the sorceror Prospero sitting on the shoreline in a storm, watching what looks to be yet another ship dashed against the rocks by wind and wave. She’s worried mostly about her hair. I know that’s not the way the Shakespeare play goes, but it certainly looks that way in the painting.
Unlike the rest of the painters in this series, Waterhouse painted into the 20th century—which may have helped provide him his best subjects. In addition to painting from Dante and Shakespeare, he also had at his disposal the inspiring poetry of Alfred Tennyson, who died in 1892.